Tatiana Julien is a french dancer and choreographer, graduate of the Paris National Dance Conservatoire and Paris University VIII. In parallel to her work, she has performed and collaborated with Cie 7273, Nathalie Pernette, Thomas Lebrun and Sylvain Prunenec. Today she dances for Olivia Grandville and Boris Charmatz.
In 2011, she founded her company, INTERSCRIBO. At the crossroads of languages, the company explores spectacular hybrid forms for both theater and on-site performances, mixing professionals and amateurs, questioning the artist’s commitment to the world and the role of the spectator/citizen. These creations, often adapted to the architecture of the location, offer engaging devices for the audience and deploys a fantasy of dance that contaminates everywhere, all the time, a dance that creates empathy. Sound, light, and text are its essential elements. The body engages with these immersive landscapes like a piercing cry, crossed by its context, charged with a persistent and vital force.
The company’s first creations, La Mort & l’Extase, Douve, Ruines and Initio, opéra chorégraphique were forms on the outskirts of expressionism. With chiselled, verbal and embodied choreographies. Its more recent creations Turbulence – a choreographed installation for headphones in a non-dedicated space -, Soulèvement (Uprising) – a bi-frontal solo piece on resistance -, and A F T E R – piece for eight performers in a collapsing scenography-, Not ending – solo piece for Jacqueline Bâby, dancer at Ballet de l’Opéra national de Lyon ordered by Julie Guibert for her project “Danser encore” and Decay – piece with a great slowdown ordered by CCN – Ballet de Lorraine in Nancy for its 25 dancers -. Since April 2022, she starts her next piece at the Tanzfabrik of Berlin, A whole Night,- a duo created and performed by Tatiana Julien and Anna Gaïotti, in a circular stage design-.
As part of the European Dancing Museums project she created a highlight for dance entitled La Cité (éphémère) de la danse. She invites various choreographers to perform the utopia of a city of dance that connects to its locals. Tatiana Julien created the Prière de ne pas détruire in Louvre Museum and Monumenta performance in the nave of the Grand Palais in Paris. She also performed at the National Gallery in London, the Boijmans museum in Rotterdam, the Gemälde Galerie in Vienna, the museo Civico, the Arte Sella museum in Italy, and at INHA in Paris.
Tatiana Julien is an associate artist to Maison de la Culture d’Amiens, pôle européen de création et de production, to Espace des Arts, scène nationale Chalon-sur-Saône and is accompagnied by le phénix – scène nationale de Valenciennes in their Campus program. She is also a companion artist to Théâtre du Beauvaisis, scène nationale.
Tatiana Julien’s work is supported by apap – FEMINIST FUTURES, a project co-founded by the Creative Europe Programme of the European Union.